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What is the difference between organic and eco-friendly products?
Organic products are made from ingredients that are grown without the use of synthetic pesticides, herbicides, or fertilizers, and are often certified by a regulatory body. Eco-friendly products, on the other hand, are designed to have minimal impact on the environment throughout their entire lifecycle, from production to disposal. While organic products focus on the natural ingredients used, eco-friendly products consider the overall environmental impact of the product. In essence, organic products focus on the ingredients, while eco-friendly products focus on the entire product lifecycle. **
What is better, an electro-acoustic or acoustic western guitar?
The choice between an electro-acoustic and acoustic western guitar ultimately depends on the player's preferences and needs. An electro-acoustic guitar offers the versatility of being able to be amplified, making it suitable for performances in larger venues or with a band. On the other hand, an acoustic guitar provides a more traditional sound and feel, making it ideal for intimate settings or solo performances. Both types of guitars have their own unique qualities, so it is important to consider how you plan to use the instrument before making a decision. **
Uplift Essentials Natural Bamboo Eco Friendly Toothbrush 10 Piece Sustainable Family Pack Natural Bamboo Eco Friendly Toothbrush 10 Piece Sustainable Family Pack
Transition to a greener routine with this Natural Bamboo Toothbrush Set, a premium collection of bamboo products designed to reduce environmental impact without compromising on performance. Each handle is crafted from 100% sustainable bamboo,...
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Excelsior Super King Gloss Natural 2009 Handmade Acoustic Guitar Gloss Natural - Refurbished
This is a very special Excelsior Super King acoustic guitar in Gloss Natural finish. Handmade in the UK in 2009, Excelsior Guitars was started by Luthier Richard Fill and is the product of his passion for fine handcrafted instruments. 60 years of experience and fine eye for detail. This Super King guitar exudes quality and displays the utmost care for craftsmanship and excellence. This acoustic guitar features an all-solid construction comprising a AAA Spruce top, Flamed Maple back and sides, Figured Maple neck and 22/24 fret Ebony fingerboard embellished with Mother Of Pearl split block inlays. Gold hardware is featured including a unique hand-made brass tailpiece along with an Ebony adjustable bridge- also adorned with Mother Of Pearl inlays- and a set of three-a-side Grover Imperial tuning machines. Richard Fill made this guitar to get a better understanding of the bracing techniques that Jimmy D’Aquisto designed for some of his most famed instruments. The styling on this guitar is very reminiscent of D’Aquisto with the oval soundhole, tailpiece and pickguard design displaying Richard’s ‘nod of the head’ to Jimmy D’Aquisto, and faithfully so. The Figured Maple neck plays beautifully, with what might be described as an asymmetrical profile that feels particularly unique to this guitar. This sits exceptionally comfortably in the hand and provides a smooth and responsive playing experience in any register. The Ebony fingerboard is effortlessly smooth under the fingers and adds a real sense of luxury to the playing experience- especially with the binding and Mother Of Pearl inlays which perfectly suit this beautifully made guitar. The 12” radius provides a nicely flat and consistent playing surface right the way up the register, facilitating both chordal and melodic styles of playing very well. The body design is very much on the larger side, measuring 18” at the lower bout. This larger design sits very comfortably against the body without being cumbersome and offers the player a fatigue-free playing experience, making this beautiful guitar enjoyable for longer periods of playing. The acoustic voice of the Super King is rich in harmonics yet well balanced. The lows are understated yet accurate, whilst mids and treble are more prominent. This helps each note ring out with a crystal clean clarity. The hand-made nature of this guitar and wood selection results in a lively and resonant playing experience, whilst the AAA Spruce top projects very well and provides a wide and sensitive dynamic range. Richard Fill applied ‘Light’ bracing to this guitar which in turn provides the top with more ‘drive’, making chords sing proud whilst melodic lines produce rich harmonics. This is a beautifully hand-made instrument from one of the UK's most underrated luthiers, offering a guitar that displays a perfect example of a master craftsman. Luthier Report Our ID: 1180826233100 Weight: 7.6lbs Serial: 091 Aesthetic Condition: Headstock: Overall very good condition....
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Taylor 414CE 2000 Natural Electro-Acoustic Guitar Natural - RefurbishedThis is a Taylor 414CE in Natural finish. Made in the USA in 2000, this guitar features a bolt-on construction consisting of a grand auditorium cutaway Ovangkol body with Spruce top, Mahogany neck and 20 fret Ebony fingerboard. Other appointments include an Ebony bridge, Grover tuning machines and pearloid dot inlays. A Taylor Fishman Prefix preamp is fitted and wired to a under saddle piezo pickup. The Mahogany neck sits comfortably in the hand, with the ‘Standard Carve’ profile that provides ergonomic thumb positioning up and down the neck. The Venetian cutaway allows for easy access to the higher frets. The satin finish to the rear has been polished to a gloss which makes for fluid hand movements across the whole register. The Ebony fingerboard feels luxurious to the touch, and with Taylor's usual 15" radius providing a flat and consistent surface to navigate on. The acoustic voice of the Taylor 414ce is bright and clear, with an unpronounced yet accurate low end, strong mid response and sparkling trebles which add a shimmer and chime to every note played on the instrument. Ovangkol produces harmonically rich tones similar to Rosewood. The Grand Auditorium body design delivers the best of both large and compact bodies; sizable enough to produce a powerful and clear voice whilst remaining small enough to be comfortable in the arms. The Spruce top projects beautifully and offers a wide dynamic range, whilst producing a warmer & more refined tone than a typical un-aged Spruce top. The Fishman Prefix faithfully conveys the acoustic voice of the instrument, providing the versatility required for both live and recording situations. Luthier Report Our ID: 1200826233490 Weight: 4.95lbs Serial: 20000330060 Aesthetic Condition: Headstock: Overall very good condition, the front face demonstrates some finish delamination near the nut revealing the wood beneath. The top edges and corners demonstrate light to moderate indentations, piercing the finish slightly. Circular scratching can be seen around the low E tuning post. Neck: Overall very good condition, the rear of the neck has buffed from satin to high gloss. The rear of the neck demonstrates light indentation in the early register to the treble side of the profile, difficult to discern beneath the thumb. The fingerboard demonstrates moderate playwear in the early register, visible only under close inspection. Body: Overall very good condition, the front face demonstrates moderate indentations piercing the finish slightly. This is most consistent to the center of the lower bout but can be identified throughout. High traffic areas of the sides and rear face, such as the treble side waist and bass side lower bout, have buffed from satin to gloss through regular use. All aspects demonstrate light scratching visible only under direct lighting at certain angles. Condition of Frets: The frets demonstrate notable signs of use in the early register, with notable indentation not affecting the note clarity. There...1210,00 £*Shipping: 0,00 £Secure redirect to the provider
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Taylor 110 Natural 2004 Left-Handed Acoustic Guitar Natural - RefurbishedThis is a left-handed Taylor 110 in Natural Satin Natural finish. Made in 2004 this left-handed acoustic guitar features a bolt-on construction consisting of a Mahogany body with Spruce top, Mahogany neck and 20 fret Ebony fingerboard. Other appointments include an Ebony bridge, Chrome Enclosed tuners, and Black binding. The Mahogany neck sits comfortably in the hand, with the satin finish providing a smooth surface to navigate the neck along with the ‘Standard Carve’ profile offering comfortable and ergonomic thumb positioning. The 15” radius works great for finger picking styles of playing and allows easy finger placement for chords. The Dreadnought body style sits comfortably in both sitting and standing positions making playing this instrument for extended periods of time effortless. The acoustic voice of the Taylor 110 is bright and clear, with an unpronounced yet accurate low end, strong mid response and sparkling trebles which add a shimmer and chime to every note played on the instrument. The Dreadnought body design delivers the best of both large and compact bodies, providing a perfect balance for tone and comfortability. Luthier Report Our ID: 1120526207800 Weight: 4.4lbs Serial: 20041214824 Aesthetic Condition: Headstock: Overall very good condition. The top edge demonstrates white scuff marks that could not be removed during our cleaning process. Any other markings to the headstock are difficult to discern. Neck: Overall very good condition. All aspects of the neck demonstrate light scratching that cannot be felt by the hand in playing position or beneath the strings. Parts of the satin finish have polished to a gloss from previous use. Body: Overall very good condition. Light indentation is apparent to the bass side shoulder of the top. Scuff marks are apparent below the pickguard. Any other markings to the body are difficult to discern. Parts of the satin finish have polished to a gloss from previous use. Condition of Frets: The frets demonstrate moderate signs of use, not affecting playability. Light denting is present to the early register and flattening of the frets is apparent throughout. There is moderate material remaining for any fret work the new owner may wish to perform. Current Set Up: Truss Rod: Fully functional. Truss rod tool (1/4" socket) is included. Hardware: Fully functional and very good condition. Very light scratching and tarnishing is apparent to the tuners. Structural: No concerns or issues to note. Height of the string from the 12th Fret-1.75mm - Bass 2.75mm Please be aware that the action on a guitar may move slightly in transit and this measurement is the current height. Strings on Guitar - 11-52 This guitar experienced centre seam separation on the top which has been re-humidified to close the gap, glued and cleated to resolve this. This poses no future concerns for the instrument. Electrics: N/A. Case & Accessories Taylor Soft Shell Case Fully functional and very good condition. All aspects of the case...490,00 £*Shipping: 0,00 £Secure redirect to the provider
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Boss ACS-LIVE Acoustic Singer Live 60W Acoustic Amplifier Original - RefurbishedDer Boss ACS-LIVE Acoustic Singer Live bringt die akustische Bühne auf neue Ebenen der Klangqualität und kreativen Vielseitigkeit. Die Acoustic Singer Live bringt die akustische Bühne auf neue Ebenen der Klangqualität und kreativen Vielseitigkeit. Mit den neuesten Fortschritten von BOSS in der Verstärkerforschung erzeugt dieses kompakte Kraftpaket einen reichen, lebendigen Klang mit unübertroffenem Stempel und Klarheit. Unabhängige Kanäle sind für akustische Gitarre und Gesang vorgesehen und sind jeweils mit diskreten analogen Eingangsschaltungen und Dreiband-EQ für Sound in Studioqualität ausgestattet. Und mit zusätzlichen Funktionen wie Acoustic Resonance, Looping, automatischen Stimmharmonien, Effekten und vielem mehr bietet der Acoustic Singer Live akustischen Musikern alles, was sie brauchen, um inspirierende und wirkungsvolle Live-Auftritte zu liefern. Merkmale • Professioneller akustischer Verstärker mit Premium-Sound und Features • 60-Watt-Bi-Ampere-Design mit maßgeschneidertem 6,5-Zoll-Woofer und Dome-Hochtöner • Dual-Kanäle mit diskreter analoger Eingangselektronik und Dreiband-EQ • Dedizierter Gitarrenkanal mit akustischer Resonanz zur Wiederherstellung des natürlichen Tons für Bühnengitarren mit Piezo-Pickups • Mic-Kanal mit Phantom-Power und 1⁄4-Zoll / XLR-Combo-Eingang zum Anschluss eines Vokal- / Gitarrenmikrofons oder einer zweiten Instrumentenquelle • Chorus-Effekt auf dem Gitarrenkanal, Delay/Echo-Effekt auf dem Mikrofonkanal und unabhängiges Reverb auf beiden Kanälen • Harmony-Funktion erzeugt automatisch glatte und genaue Stimmharmonien durch Echtzeit-Tasten- / Akkordanalyse der Gitarreninp567,00 £*Shipping: 0,00 £Secure redirect to the provider
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Gibson Songwriter Standard Gloss Natural 2024 Acoustic Guitar Gloss Natural - RefurbishedThis is a Gibson Songwriter Standard in Gloss Natural. Made in the USA in 2024 this acoustic guitar features a set-neck construction consisting of Rosewood back and sides with Spruce top, Mahogany neck and 20 fret Rosewood fingerboard. Other appointments include Mother-of-pearl Parallelogram inlays on the fingerboard, Multi-ply purfling around the top and Gold Grover tuning machines are fitted. The Mahogany neck sits comfortably in the hand, with the 'Rounded' profile resembling a ‘D’ profile, providing ergonomic thumb positioning in all registers allowing for easy navigation up and down the neck. The Rosewood fretboard feels pleasant under the fingers and provides a smooth surface for the user to explore, along with the 12” radius making bending and vibrato techniques a breeze. The dreadnought design fills the arms, providing a dynamic and responsive playing experience, making the user feel the resonance that this guitar produces. This guitar has a well-balanced and dynamic tone, producing a warm and rich sound, with a strong and clear midrange. The Solid Spruce top and Traditional Hand-scalloped bracing patterns contribute to the guitar's excellent projection and sustain, producing a bright and crisp high end that is well-articulated, whilst the Rosewood back and sides offer a warm and deep low end that make chords hum and chime. Luthier Report Our ID: 1200426202691 Weight: 4.85lbs Serial: 21634082 Aesthetic Condition: Headstock: Overall very good condition. Light indentations are present to the rear face top edge, these ave caused light delamination not exposing the wood beneath. Light scratching is present to the front face of the headstock, the most apparent of these can be seen near the crown inlay. Neck: Overall excellent condition. Very light indentations can be seen to the 2nd fret of the fingerboard, these can not be felt in the playing position and can only be seen under close scrutiny. There is some discoloration on the bottom side of the nut. Body: Overall excellent condition. All aspects of the body display light scratching which can only be seen under direct light, as is common with gloss finishes. End pin is missing and has left a hole. The hole left is too big for an end pin to be refitted as this had been widened for electronics by a previous owner. Condition of Frets: The frets demonstrate light signs of use, not affecting playability. Light denting of the frets is apparent to the early register. There is moderate material remaining for any fret work the new owner may wish to perform. Current Set Up: Truss Rod: Fully functional. Truss rod tool (5/16" socket) included. Hardware: Overall excellent condition. All aspects of the hardware display light signs of past use. End pin is missing and has left a hole. The hole left is too big for an end pin to be refitted as this had been widened for electronics by a previous owner. Structural: No concerns or issues to note. Height of the string from the 12th Fret-1.25mm - Bass 2mm Please...2190,00 £*Shipping: 0,00 £Secure redirect to the provider
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Is organic sustainable?
Organic farming practices can be more sustainable than conventional methods in terms of reducing chemical inputs, promoting biodiversity, and improving soil health. However, there are challenges to the scalability and efficiency of organic farming, which can impact its overall sustainability. For example, organic farming typically requires more land and labor to produce the same amount of food as conventional methods, which can limit its ability to meet global food demand. Additionally, the transportation and distribution of organic products can have a higher environmental impact due to their shorter shelf life and the need for refrigeration. Overall, while organic farming has many sustainable benefits, there are also limitations to its long-term sustainability on a large scale. **
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Is acoustic glazing good?
Acoustic glazing is beneficial for reducing noise pollution in buildings by providing sound insulation. It can help create a quieter and more comfortable indoor environment by blocking out external noise. Additionally, acoustic glazing can improve energy efficiency by enhancing thermal insulation. Overall, acoustic glazing is a good option for those looking to enhance the acoustic performance and comfort of their living or working spaces. **
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What are acoustic songs?
Acoustic songs are musical compositions that are performed using only acoustic instruments, such as acoustic guitars, pianos, or other string instruments. These songs typically have a stripped-down, raw sound, as they do not rely on electronic amplification or effects. Acoustic songs often emphasize the natural sound and resonance of the instruments, and are known for their intimate and emotional quality. They are popular in genres such as folk, indie, and singer-songwriter music. **
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What type of guitar is it: acoustic, semi-acoustic, or western guitar?
The term "western guitar" is not commonly used to describe a specific type of guitar. However, based on the options provided, it is likely that the question is referring to an acoustic guitar. Acoustic guitars are the most common type of guitar and are designed to produce sound acoustically, without the need for amplification. They are often used in folk, country, and singer-songwriter music. **
Sigma SDM-18 Natural Gloss 2016 Acoustic Guitar Natural Gloss - Refurbished
This is a Sigma SDM-18 Dreadnought Acoustic Guitar in Natural Gloss finish. Made in China in 2016, this guitar consists of a Solid Sitka Spruce top, Solid Mahogany back and sides, a Mahogany neck, and a 20-fret Ebony fingerboard. Other appointments include Grover Nickel Open-Gear tuners, a Bone nut and saddle, and an Ebony bridge. The Mahogany neck plays very well, with the 'Low' profile sitting very comfortably in the hand and providing easy fretting and ergonomic thumb positioning in all registers. The Ebony fingerboard is pleasant under the fingers, offering a smooth and durable playing surface, and with its 12" radius is comfortable and practical across the register. The Dreadnought body shape is comfortable in the arms, with the all-solid construction ensuring a resonant and lively experience for the player. The voice of the SDM-18 is rich and warm, the Solid Mahogany back and sides provide a silky smooth bass response that remains detailed and accurate across the dynamic range. The mids are punchy and clear, and add a warmth and clarity to the tone. The top end is sparkly and bright, adding a glistening quality to every note played on the instrument. The dynamic range of the SDM-18 is impressive. Gentle playing is rewarded with a very tender and soft tone, ramping smoothly up to the rich, loud chord strumming sound that the Dreadnought is renowned for. Luthier Report Our ID: 1040826229010 Weight: 4.4lbs Serial: 160304016 Aesthetic Condition: Headstock: Overall very good condition. The front face demonstrates very light scratching, only visible under direct light at certain angles. Any other markings to the headstock are difficult to discern. Neck: Overall very good condition. Very light scratching is apparent to the rear of the neck and fingerboard, only visible under direct light at certain angles. Body: Overall very good condition. All aspects of the body demonstrate light scratching, only visible under direct light at certain angles. The treble side lower bout side face demonstrates an indentation that has marked the finish, with notable light scuffing to the binding in the same area. Condition of Frets: The frets demonstrate light signs of use, not affecting playability. There is considerable material remaining for any fret work the new owner may wish to perform. Current Set Up: Truss Rod: Fully functional. Truss rod tool (4mm hex) not included. Hardware: Overall very good condition. Light scratching is apparent to the pickguard. Very light tarnishing is apparent to the tuners. There is considerable material remaining in the saddle for future adjustments. Structural: No concerns or issues to note. Height of the string from the 12th Fret-2.25mm - Bass 2.75mm Please be aware that the action on a guitar may move slightly in transit and this measurement is the current height. Strings on Guitar - 11-52 Electrics: N/A. Case & Accessories No case is provided with this guitar.
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Yamaha LLX6A Gloss Natural 2012 Electro-Acoustic Guitar Gloss Natural - Refurbished
This is a Yamaha LLX6A electro-acoustic guitar in a Gloss Natural finish. Built in China in 2012, this guitar features a Solid Engelmann Spruce A.R.E. (Acoustic Resonance Enhancement) top, Rosewood back and sides, 3-ply Mahogany & Rosewood neck and a 20 fret Ebony fingerboard with matching bridge. A set of Gold sealed tuning machines are fitted along with a System 57CB 3way A.R.T. shoulder mounted system. The 3-ply Mahogany & Rosewood neck sits very comfortably in the hand, with a profile that could be described as a ‘C’, feeling slim in the hand and offering ergonomic thumb positioning up and down the neck. The Ebony fingerboard is pleasant to the touch, and with its 15.75” radius provides a nicely flat and consistent playing surface making both chordal and fingerpicking styles of playing a breeze. The LL body design fills the arms nicely, and provides a lively and responsive playing experience with a sound that can really be felt. The mixture of Solid Engelmann Spruce top and Rosewood sides provide rich, warm, and responsive sounds, this with the modified non-scalloped bracing design retains the L series’ characteristic bright tone while enhancing low-end tone. This helps to balance the highs, mids, and lows of the guitar's sound, and accommodates a wide range of playing styles and techniques. The System 57CB 3way A.R.T. system provides a natural and balanced amplified sound, faithfully reproducing the guitar's acoustic tone with the added shoulder mounted controls, this guitar provides a great plug in and play singer/songwriter guitar. Luthier Report Our ID: 1040826229070 Weight: 5.5lbs Serial Number: HIX180205 Aesthetic Condition: Headstock: Overall very good condition. The top edge of the headstock demonstrates light indentations to the rear edge, these have lightly pierced the finish and can only be seen under close scrutiny. The front face demonstrates light scratching which can only be seen under direct light, these are most apparent surrounding the tuning posts. Neck: Overall very good condition. The rear of the neck demonstrates a number of light indentations, largely around the edges, however none of which can be felt underhand in a playing position or impair playing comfort. The fingerboard displays some light lateral scratching across the register, these can be seen under direct light and can not be felt in the playing position. Body: Overall good condition. Two mild indentations are present to the front face lower bout, one located centrally and the other on the bass side both of which slightly break the finish but do not expose the wood beneath. Light indentations are also present to all aspects of the body, these can be seen under close scrutiny and have not broken the finish. Light to mild scratching is present to all aspects of the body, the most prominent of these can be seen to the center of the rear face consistent with buckle rash. Condition of Frets: The first five frets demonstrate light indentations and a flattening of...
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How do you like the Fender FA-345CE Auditorium Natural acoustic guitar?
I am an AI and do not have personal preferences, but I can provide an overview of the Fender FA-345CE Auditorium Natural acoustic guitar. This guitar is well-regarded for its comfortable playability, versatile tone, and attractive design. The auditorium body shape offers a balanced sound with good projection, making it suitable for a variety of playing styles. The built-in electronics also make it easy to amplify the guitar for live performances or recording. Overall, the Fender FA-345CE is a solid choice for players looking for a reliable and great-sounding acoustic guitar. **
What is the difference between an acoustic guitar and an electro-acoustic guitar?
The main difference between an acoustic guitar and an electro-acoustic guitar is that an acoustic guitar is a traditional, non-amplified instrument that relies solely on its hollow body to produce sound. On the other hand, an electro-acoustic guitar has built-in electronics that allow it to be connected to an amplifier or sound system for louder volume and projection. This makes the electro-acoustic guitar suitable for live performances or recording, as it can be easily amplified to reach a larger audience. **
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Uplift Essentials Natural Bamboo Eco Friendly Toothbrush 10 Piece Sustainable Family Pack Natural Bamboo Eco Friendly Toothbrush 10 Piece Sustainable Family PackTransition to a greener routine with this Natural Bamboo Toothbrush Set, a premium collection of bamboo products designed to reduce environmental impact without compromising on performance. Each handle is crafted from 100% sustainable bamboo,...37,97 $*Shipping: 0,00 $Secure redirect to the provider
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Excelsior Super King Gloss Natural 2009 Handmade Acoustic Guitar Gloss Natural - RefurbishedThis is a very special Excelsior Super King acoustic guitar in Gloss Natural finish. Handmade in the UK in 2009, Excelsior Guitars was started by Luthier Richard Fill and is the product of his passion for fine handcrafted instruments. 60 years of experience and fine eye for detail. This Super King guitar exudes quality and displays the utmost care for craftsmanship and excellence. This acoustic guitar features an all-solid construction comprising a AAA Spruce top, Flamed Maple back and sides, Figured Maple neck and 22/24 fret Ebony fingerboard embellished with Mother Of Pearl split block inlays. Gold hardware is featured including a unique hand-made brass tailpiece along with an Ebony adjustable bridge- also adorned with Mother Of Pearl inlays- and a set of three-a-side Grover Imperial tuning machines. Richard Fill made this guitar to get a better understanding of the bracing techniques that Jimmy D’Aquisto designed for some of his most famed instruments. The styling on this guitar is very reminiscent of D’Aquisto with the oval soundhole, tailpiece and pickguard design displaying Richard’s ‘nod of the head’ to Jimmy D’Aquisto, and faithfully so. The Figured Maple neck plays beautifully, with what might be described as an asymmetrical profile that feels particularly unique to this guitar. This sits exceptionally comfortably in the hand and provides a smooth and responsive playing experience in any register. The Ebony fingerboard is effortlessly smooth under the fingers and adds a real sense of luxury to the playing experience- especially with the binding and Mother Of Pearl inlays which perfectly suit this beautifully made guitar. The 12” radius provides a nicely flat and consistent playing surface right the way up the register, facilitating both chordal and melodic styles of playing very well. The body design is very much on the larger side, measuring 18” at the lower bout. This larger design sits very comfortably against the body without being cumbersome and offers the player a fatigue-free playing experience, making this beautiful guitar enjoyable for longer periods of playing. The acoustic voice of the Super King is rich in harmonics yet well balanced. The lows are understated yet accurate, whilst mids and treble are more prominent. This helps each note ring out with a crystal clean clarity. The hand-made nature of this guitar and wood selection results in a lively and resonant playing experience, whilst the AAA Spruce top projects very well and provides a wide and sensitive dynamic range. Richard Fill applied ‘Light’ bracing to this guitar which in turn provides the top with more ‘drive’, making chords sing proud whilst melodic lines produce rich harmonics. This is a beautifully hand-made instrument from one of the UK's most underrated luthiers, offering a guitar that displays a perfect example of a master craftsman. Luthier Report Our ID: 1180826233100 Weight: 7.6lbs Serial: 091 Aesthetic Condition: Headstock: Overall very good condition....2140,00 £*Shipping: 0,00 £Secure redirect to the provider
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Taylor 414CE 2000 Natural Electro-Acoustic Guitar Natural - RefurbishedThis is a Taylor 414CE in Natural finish. Made in the USA in 2000, this guitar features a bolt-on construction consisting of a grand auditorium cutaway Ovangkol body with Spruce top, Mahogany neck and 20 fret Ebony fingerboard. Other appointments include an Ebony bridge, Grover tuning machines and pearloid dot inlays. A Taylor Fishman Prefix preamp is fitted and wired to a under saddle piezo pickup. The Mahogany neck sits comfortably in the hand, with the ‘Standard Carve’ profile that provides ergonomic thumb positioning up and down the neck. The Venetian cutaway allows for easy access to the higher frets. The satin finish to the rear has been polished to a gloss which makes for fluid hand movements across the whole register. The Ebony fingerboard feels luxurious to the touch, and with Taylor's usual 15" radius providing a flat and consistent surface to navigate on. The acoustic voice of the Taylor 414ce is bright and clear, with an unpronounced yet accurate low end, strong mid response and sparkling trebles which add a shimmer and chime to every note played on the instrument. Ovangkol produces harmonically rich tones similar to Rosewood. The Grand Auditorium body design delivers the best of both large and compact bodies; sizable enough to produce a powerful and clear voice whilst remaining small enough to be comfortable in the arms. The Spruce top projects beautifully and offers a wide dynamic range, whilst producing a warmer & more refined tone than a typical un-aged Spruce top. The Fishman Prefix faithfully conveys the acoustic voice of the instrument, providing the versatility required for both live and recording situations. Luthier Report Our ID: 1200826233490 Weight: 4.95lbs Serial: 20000330060 Aesthetic Condition: Headstock: Overall very good condition, the front face demonstrates some finish delamination near the nut revealing the wood beneath. The top edges and corners demonstrate light to moderate indentations, piercing the finish slightly. Circular scratching can be seen around the low E tuning post. Neck: Overall very good condition, the rear of the neck has buffed from satin to high gloss. The rear of the neck demonstrates light indentation in the early register to the treble side of the profile, difficult to discern beneath the thumb. The fingerboard demonstrates moderate playwear in the early register, visible only under close inspection. Body: Overall very good condition, the front face demonstrates moderate indentations piercing the finish slightly. This is most consistent to the center of the lower bout but can be identified throughout. High traffic areas of the sides and rear face, such as the treble side waist and bass side lower bout, have buffed from satin to gloss through regular use. All aspects demonstrate light scratching visible only under direct lighting at certain angles. Condition of Frets: The frets demonstrate notable signs of use in the early register, with notable indentation not affecting the note clarity. There...1210,00 £*Shipping: 0,00 £Secure redirect to the provider
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Taylor 110 Natural 2004 Left-Handed Acoustic Guitar Natural - RefurbishedThis is a left-handed Taylor 110 in Natural Satin Natural finish. Made in 2004 this left-handed acoustic guitar features a bolt-on construction consisting of a Mahogany body with Spruce top, Mahogany neck and 20 fret Ebony fingerboard. Other appointments include an Ebony bridge, Chrome Enclosed tuners, and Black binding. The Mahogany neck sits comfortably in the hand, with the satin finish providing a smooth surface to navigate the neck along with the ‘Standard Carve’ profile offering comfortable and ergonomic thumb positioning. The 15” radius works great for finger picking styles of playing and allows easy finger placement for chords. The Dreadnought body style sits comfortably in both sitting and standing positions making playing this instrument for extended periods of time effortless. The acoustic voice of the Taylor 110 is bright and clear, with an unpronounced yet accurate low end, strong mid response and sparkling trebles which add a shimmer and chime to every note played on the instrument. The Dreadnought body design delivers the best of both large and compact bodies, providing a perfect balance for tone and comfortability. Luthier Report Our ID: 1120526207800 Weight: 4.4lbs Serial: 20041214824 Aesthetic Condition: Headstock: Overall very good condition. The top edge demonstrates white scuff marks that could not be removed during our cleaning process. Any other markings to the headstock are difficult to discern. Neck: Overall very good condition. All aspects of the neck demonstrate light scratching that cannot be felt by the hand in playing position or beneath the strings. Parts of the satin finish have polished to a gloss from previous use. Body: Overall very good condition. Light indentation is apparent to the bass side shoulder of the top. Scuff marks are apparent below the pickguard. Any other markings to the body are difficult to discern. Parts of the satin finish have polished to a gloss from previous use. Condition of Frets: The frets demonstrate moderate signs of use, not affecting playability. Light denting is present to the early register and flattening of the frets is apparent throughout. There is moderate material remaining for any fret work the new owner may wish to perform. Current Set Up: Truss Rod: Fully functional. Truss rod tool (1/4" socket) is included. Hardware: Fully functional and very good condition. Very light scratching and tarnishing is apparent to the tuners. Structural: No concerns or issues to note. Height of the string from the 12th Fret-1.75mm - Bass 2.75mm Please be aware that the action on a guitar may move slightly in transit and this measurement is the current height. Strings on Guitar - 11-52 This guitar experienced centre seam separation on the top which has been re-humidified to close the gap, glued and cleated to resolve this. This poses no future concerns for the instrument. Electrics: N/A. Case & Accessories Taylor Soft Shell Case Fully functional and very good condition. All aspects of the case...490,00 £*Shipping: 0,00 £Secure redirect to the provider
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What is the difference between organic and eco-friendly products?
Organic products are made from ingredients that are grown without the use of synthetic pesticides, herbicides, or fertilizers, and are often certified by a regulatory body. Eco-friendly products, on the other hand, are designed to have minimal impact on the environment throughout their entire lifecycle, from production to disposal. While organic products focus on the natural ingredients used, eco-friendly products consider the overall environmental impact of the product. In essence, organic products focus on the ingredients, while eco-friendly products focus on the entire product lifecycle. **
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What is better, an electro-acoustic or acoustic western guitar?
The choice between an electro-acoustic and acoustic western guitar ultimately depends on the player's preferences and needs. An electro-acoustic guitar offers the versatility of being able to be amplified, making it suitable for performances in larger venues or with a band. On the other hand, an acoustic guitar provides a more traditional sound and feel, making it ideal for intimate settings or solo performances. Both types of guitars have their own unique qualities, so it is important to consider how you plan to use the instrument before making a decision. **
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Is organic sustainable?
Organic farming practices can be more sustainable than conventional methods in terms of reducing chemical inputs, promoting biodiversity, and improving soil health. However, there are challenges to the scalability and efficiency of organic farming, which can impact its overall sustainability. For example, organic farming typically requires more land and labor to produce the same amount of food as conventional methods, which can limit its ability to meet global food demand. Additionally, the transportation and distribution of organic products can have a higher environmental impact due to their shorter shelf life and the need for refrigeration. Overall, while organic farming has many sustainable benefits, there are also limitations to its long-term sustainability on a large scale. **
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Is acoustic glazing good?
Acoustic glazing is beneficial for reducing noise pollution in buildings by providing sound insulation. It can help create a quieter and more comfortable indoor environment by blocking out external noise. Additionally, acoustic glazing can improve energy efficiency by enhancing thermal insulation. Overall, acoustic glazing is a good option for those looking to enhance the acoustic performance and comfort of their living or working spaces. **
Similar search terms for Acoustic
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Boss ACS-LIVE Acoustic Singer Live 60W Acoustic Amplifier Original - RefurbishedDer Boss ACS-LIVE Acoustic Singer Live bringt die akustische Bühne auf neue Ebenen der Klangqualität und kreativen Vielseitigkeit. Die Acoustic Singer Live bringt die akustische Bühne auf neue Ebenen der Klangqualität und kreativen Vielseitigkeit. Mit den neuesten Fortschritten von BOSS in der Verstärkerforschung erzeugt dieses kompakte Kraftpaket einen reichen, lebendigen Klang mit unübertroffenem Stempel und Klarheit. Unabhängige Kanäle sind für akustische Gitarre und Gesang vorgesehen und sind jeweils mit diskreten analogen Eingangsschaltungen und Dreiband-EQ für Sound in Studioqualität ausgestattet. Und mit zusätzlichen Funktionen wie Acoustic Resonance, Looping, automatischen Stimmharmonien, Effekten und vielem mehr bietet der Acoustic Singer Live akustischen Musikern alles, was sie brauchen, um inspirierende und wirkungsvolle Live-Auftritte zu liefern. Merkmale • Professioneller akustischer Verstärker mit Premium-Sound und Features • 60-Watt-Bi-Ampere-Design mit maßgeschneidertem 6,5-Zoll-Woofer und Dome-Hochtöner • Dual-Kanäle mit diskreter analoger Eingangselektronik und Dreiband-EQ • Dedizierter Gitarrenkanal mit akustischer Resonanz zur Wiederherstellung des natürlichen Tons für Bühnengitarren mit Piezo-Pickups • Mic-Kanal mit Phantom-Power und 1⁄4-Zoll / XLR-Combo-Eingang zum Anschluss eines Vokal- / Gitarrenmikrofons oder einer zweiten Instrumentenquelle • Chorus-Effekt auf dem Gitarrenkanal, Delay/Echo-Effekt auf dem Mikrofonkanal und unabhängiges Reverb auf beiden Kanälen • Harmony-Funktion erzeugt automatisch glatte und genaue Stimmharmonien durch Echtzeit-Tasten- / Akkordanalyse der Gitarreninp567,00 £*Shipping: 0,00 £Secure redirect to the provider
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Gibson Songwriter Standard Gloss Natural 2024 Acoustic Guitar Gloss Natural - RefurbishedThis is a Gibson Songwriter Standard in Gloss Natural. Made in the USA in 2024 this acoustic guitar features a set-neck construction consisting of Rosewood back and sides with Spruce top, Mahogany neck and 20 fret Rosewood fingerboard. Other appointments include Mother-of-pearl Parallelogram inlays on the fingerboard, Multi-ply purfling around the top and Gold Grover tuning machines are fitted. The Mahogany neck sits comfortably in the hand, with the 'Rounded' profile resembling a ‘D’ profile, providing ergonomic thumb positioning in all registers allowing for easy navigation up and down the neck. The Rosewood fretboard feels pleasant under the fingers and provides a smooth surface for the user to explore, along with the 12” radius making bending and vibrato techniques a breeze. The dreadnought design fills the arms, providing a dynamic and responsive playing experience, making the user feel the resonance that this guitar produces. This guitar has a well-balanced and dynamic tone, producing a warm and rich sound, with a strong and clear midrange. The Solid Spruce top and Traditional Hand-scalloped bracing patterns contribute to the guitar's excellent projection and sustain, producing a bright and crisp high end that is well-articulated, whilst the Rosewood back and sides offer a warm and deep low end that make chords hum and chime. Luthier Report Our ID: 1200426202691 Weight: 4.85lbs Serial: 21634082 Aesthetic Condition: Headstock: Overall very good condition. Light indentations are present to the rear face top edge, these ave caused light delamination not exposing the wood beneath. Light scratching is present to the front face of the headstock, the most apparent of these can be seen near the crown inlay. Neck: Overall excellent condition. Very light indentations can be seen to the 2nd fret of the fingerboard, these can not be felt in the playing position and can only be seen under close scrutiny. There is some discoloration on the bottom side of the nut. Body: Overall excellent condition. All aspects of the body display light scratching which can only be seen under direct light, as is common with gloss finishes. End pin is missing and has left a hole. The hole left is too big for an end pin to be refitted as this had been widened for electronics by a previous owner. Condition of Frets: The frets demonstrate light signs of use, not affecting playability. Light denting of the frets is apparent to the early register. There is moderate material remaining for any fret work the new owner may wish to perform. Current Set Up: Truss Rod: Fully functional. Truss rod tool (5/16" socket) included. Hardware: Overall excellent condition. All aspects of the hardware display light signs of past use. End pin is missing and has left a hole. The hole left is too big for an end pin to be refitted as this had been widened for electronics by a previous owner. Structural: No concerns or issues to note. Height of the string from the 12th Fret-1.25mm - Bass 2mm Please...2190,00 £*Shipping: 0,00 £Secure redirect to the provider
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Sigma SDM-18 Natural Gloss 2016 Acoustic Guitar Natural Gloss - RefurbishedThis is a Sigma SDM-18 Dreadnought Acoustic Guitar in Natural Gloss finish. Made in China in 2016, this guitar consists of a Solid Sitka Spruce top, Solid Mahogany back and sides, a Mahogany neck, and a 20-fret Ebony fingerboard. Other appointments include Grover Nickel Open-Gear tuners, a Bone nut and saddle, and an Ebony bridge. The Mahogany neck plays very well, with the 'Low' profile sitting very comfortably in the hand and providing easy fretting and ergonomic thumb positioning in all registers. The Ebony fingerboard is pleasant under the fingers, offering a smooth and durable playing surface, and with its 12" radius is comfortable and practical across the register. The Dreadnought body shape is comfortable in the arms, with the all-solid construction ensuring a resonant and lively experience for the player. The voice of the SDM-18 is rich and warm, the Solid Mahogany back and sides provide a silky smooth bass response that remains detailed and accurate across the dynamic range. The mids are punchy and clear, and add a warmth and clarity to the tone. The top end is sparkly and bright, adding a glistening quality to every note played on the instrument. The dynamic range of the SDM-18 is impressive. Gentle playing is rewarded with a very tender and soft tone, ramping smoothly up to the rich, loud chord strumming sound that the Dreadnought is renowned for. Luthier Report Our ID: 1040826229010 Weight: 4.4lbs Serial: 160304016 Aesthetic Condition: Headstock: Overall very good condition. The front face demonstrates very light scratching, only visible under direct light at certain angles. Any other markings to the headstock are difficult to discern. Neck: Overall very good condition. Very light scratching is apparent to the rear of the neck and fingerboard, only visible under direct light at certain angles. Body: Overall very good condition. All aspects of the body demonstrate light scratching, only visible under direct light at certain angles. The treble side lower bout side face demonstrates an indentation that has marked the finish, with notable light scuffing to the binding in the same area. Condition of Frets: The frets demonstrate light signs of use, not affecting playability. There is considerable material remaining for any fret work the new owner may wish to perform. Current Set Up: Truss Rod: Fully functional. Truss rod tool (4mm hex) not included. Hardware: Overall very good condition. Light scratching is apparent to the pickguard. Very light tarnishing is apparent to the tuners. There is considerable material remaining in the saddle for future adjustments. Structural: No concerns or issues to note. Height of the string from the 12th Fret-2.25mm - Bass 2.75mm Please be aware that the action on a guitar may move slightly in transit and this measurement is the current height. Strings on Guitar - 11-52 Electrics: N/A. Case & Accessories No case is provided with this guitar.630,00 £*Shipping: 0,00 £Secure redirect to the provider
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Yamaha LLX6A Gloss Natural 2012 Electro-Acoustic Guitar Gloss Natural - RefurbishedThis is a Yamaha LLX6A electro-acoustic guitar in a Gloss Natural finish. Built in China in 2012, this guitar features a Solid Engelmann Spruce A.R.E. (Acoustic Resonance Enhancement) top, Rosewood back and sides, 3-ply Mahogany & Rosewood neck and a 20 fret Ebony fingerboard with matching bridge. A set of Gold sealed tuning machines are fitted along with a System 57CB 3way A.R.T. shoulder mounted system. The 3-ply Mahogany & Rosewood neck sits very comfortably in the hand, with a profile that could be described as a ‘C’, feeling slim in the hand and offering ergonomic thumb positioning up and down the neck. The Ebony fingerboard is pleasant to the touch, and with its 15.75” radius provides a nicely flat and consistent playing surface making both chordal and fingerpicking styles of playing a breeze. The LL body design fills the arms nicely, and provides a lively and responsive playing experience with a sound that can really be felt. The mixture of Solid Engelmann Spruce top and Rosewood sides provide rich, warm, and responsive sounds, this with the modified non-scalloped bracing design retains the L series’ characteristic bright tone while enhancing low-end tone. This helps to balance the highs, mids, and lows of the guitar's sound, and accommodates a wide range of playing styles and techniques. The System 57CB 3way A.R.T. system provides a natural and balanced amplified sound, faithfully reproducing the guitar's acoustic tone with the added shoulder mounted controls, this guitar provides a great plug in and play singer/songwriter guitar. Luthier Report Our ID: 1040826229070 Weight: 5.5lbs Serial Number: HIX180205 Aesthetic Condition: Headstock: Overall very good condition. The top edge of the headstock demonstrates light indentations to the rear edge, these have lightly pierced the finish and can only be seen under close scrutiny. The front face demonstrates light scratching which can only be seen under direct light, these are most apparent surrounding the tuning posts. Neck: Overall very good condition. The rear of the neck demonstrates a number of light indentations, largely around the edges, however none of which can be felt underhand in a playing position or impair playing comfort. The fingerboard displays some light lateral scratching across the register, these can be seen under direct light and can not be felt in the playing position. Body: Overall good condition. Two mild indentations are present to the front face lower bout, one located centrally and the other on the bass side both of which slightly break the finish but do not expose the wood beneath. Light indentations are also present to all aspects of the body, these can be seen under close scrutiny and have not broken the finish. Light to mild scratching is present to all aspects of the body, the most prominent of these can be seen to the center of the rear face consistent with buckle rash. Condition of Frets: The first five frets demonstrate light indentations and a flattening of...570,00 £*Shipping: 0,00 £Secure redirect to the provider
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What are acoustic songs?
Acoustic songs are musical compositions that are performed using only acoustic instruments, such as acoustic guitars, pianos, or other string instruments. These songs typically have a stripped-down, raw sound, as they do not rely on electronic amplification or effects. Acoustic songs often emphasize the natural sound and resonance of the instruments, and are known for their intimate and emotional quality. They are popular in genres such as folk, indie, and singer-songwriter music. **
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What type of guitar is it: acoustic, semi-acoustic, or western guitar?
The term "western guitar" is not commonly used to describe a specific type of guitar. However, based on the options provided, it is likely that the question is referring to an acoustic guitar. Acoustic guitars are the most common type of guitar and are designed to produce sound acoustically, without the need for amplification. They are often used in folk, country, and singer-songwriter music. **
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How do you like the Fender FA-345CE Auditorium Natural acoustic guitar?
I am an AI and do not have personal preferences, but I can provide an overview of the Fender FA-345CE Auditorium Natural acoustic guitar. This guitar is well-regarded for its comfortable playability, versatile tone, and attractive design. The auditorium body shape offers a balanced sound with good projection, making it suitable for a variety of playing styles. The built-in electronics also make it easy to amplify the guitar for live performances or recording. Overall, the Fender FA-345CE is a solid choice for players looking for a reliable and great-sounding acoustic guitar. **
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What is the difference between an acoustic guitar and an electro-acoustic guitar?
The main difference between an acoustic guitar and an electro-acoustic guitar is that an acoustic guitar is a traditional, non-amplified instrument that relies solely on its hollow body to produce sound. On the other hand, an electro-acoustic guitar has built-in electronics that allow it to be connected to an amplifier or sound system for louder volume and projection. This makes the electro-acoustic guitar suitable for live performances or recording, as it can be easily amplified to reach a larger audience. **
* All prices are inclusive of VAT and, if applicable, plus shipping costs. The offer information is based on the details provided by the respective shop and is updated through automated processes. Real-time updates do not occur, so deviations can occur in individual cases. ** Note: Parts of this content were created by AI.